I came across this great photograph in a recent book review from the Wall Street Journal “When the West Coast Went Pop.” It reminded me of the wonderfully rich and varied history behind the Norton Simon Museum, which perhaps, few people know. In reviewing two separate books addressing the West Coast and Pop Art, the opening lines from the WSJ posit:
Where else would Andy Warhol have actually met his conceptual godfather, Marcel Duchamp, in the flesh but in Los Angeles in the 1960s? The occasion was the opening of Duchamp’s first American retrospective, in 1963, at the old Pasadena Art Museum.
The Norton Simon Museum has a long illustrious history dating back to the founding of the Pasadena Art Institute in 1924. It became the Pasadena Art Museum in 1954, and concentrated its efforts on the acquisition and exhibition of modern art. From the Norton Simon Museum’s website:
In 1964, the Museum decided to expand its programs. It commissioned the Pasadena-based architectural firm of Ladd Kelsey to design a new 85,000-square-foot structure on the original Carmelita Park site. On November 24, 1969, the new Pasadena Art Museum opened. Purchases and donations of modern art included works by Larry Bell, Richard Diebenkorn, Ellsworth Kelly, Roy Lichtenstein, Claes Oldenburg, Ed Ruscha, Frank Stella and Andy Warhol.
Over the next two decades the Pasadena Art Museum earned an international reputation for organizing and presenting critically acclaimed exhibitions of 20th century art. They presented the first retrospective of the work of Marcel Duchamp (with Duchamp attending), exhibitions of Andy Warhol, Claes Oldenburg, Joseph Cornell, a landmark Bauhaus exhibition, and many others.
Read the entire history and how in 1975 the name of the institution changed to the Norton Simon Museum of Art at Pasadena at www.nortonsimon.org/museum-history.
Don’t miss Vermeer’s “Woman with a Lute” on Loan from the Metropolitan Museum of Art at the Norton Simon Museum through September 26, 2011.